Elinor Fuchs, Peerless Guide to Theatre’s ‘Small Planet’
A lively and perceptive watcher and thinker, she helped generations of artists and critics view theatre as a kind of space and time travel.
A lively and perceptive watcher and thinker, she helped generations of artists and critics view theatre as a kind of space and time travel.
Attendance and funding may be down at many U.S. theatres, but the variety of creative responses to crisis and precarity is ever increasing.
A far-ranging conversation about their common approach to text as a springboard, why they’re past theory, and how they introduced Jessica Lange to Viewpoints.
Theatres are taking a hard look at a well-worn patron model, and coming to different conclusions about its usefulness.
Colleagues and friends of the actor-playwright recall his legacy as a dramatist, poet, producer, mentor, truth teller, and friend.
Theatre is all about human behavior. Is it time to let audiences be fully human too?
Staging the complete ‘Kāmau Trilogy’ in repertory for the first time in 30 years, Kumu Kahua Theatre aims both to honor the losses of the past and break the cycle of intergenerational trauma.
When La Liga Teatro Elástico came to Chicago, they built a puppet parade to dramatize our ecological interdependence.
As theatres across the country diversify their casting of Disney princesses in musicals, more girls get to see themselves onstage.
As the Chicago playwright’s newest work hits the Raven Theatre stage, Allen revisits the gestation and meaning of his South Side-set Grand Boulevard Trilogy.