Why Can’t Theatres Be More Like Public Parks?
A U.K. director argues that theatres can reclaim the center of civic life only if they lower barriers to entry and embrace their communitarian role.
A U.K. director argues that theatres can reclaim the center of civic life only if they lower barriers to entry and embrace their communitarian role.
A leading maker of plays for young people thinks of good storytelling as an alert, wakeful, but necessarily uncertain journey through the unknown.
Why we need resilience services as much as we need fight choreography.
An Irish director hails the ensemble ethic and sharp focus of U.S. resident theatres, which compare favorably to any he’s worked with around the world.
When Mac Rogers and I met our playwriting hero, Wallace Shawn, we were honored—and confronted anew with his devastating plays.
Though much talk has surrounded possible federal funding, let’s imagine a world based in repertory theatre and funding from the state level.
My time at this storied Florida retreat was both relaxing and productive—and I was ready for the bugs this time.
The pandemic forced a conversation about filmed performance and audience access. Let’s not drop the ball.
In anatomizing the categories of things he’s collected over the decades, a playwright explores and suggests their dramaturgical possibilities.
After 25 years in the regional theatre, I’m done with the silence about the classism, sexism, and abuse I’ve experienced.