The Critical Revolution Will Be Tweeted
The pandemic led to innovative, alternative forms of theatre. Can theatre criticism keep up?
Category Archives: Opinion
All the Screen’s a Stage: A Transmedia Manifesto
As theatremakers celebrate the return to in-person, in-venue performances, it’s imperative to keep open the doors offered by digital theatre and celebrate its place alongside the stage.
Once on This Island: How LaChanze Helped Me Heal After 9/11
The attacks on the World Trade Center hit close to home, and it was a Broadway cast reunion concert that pointed the way back to life.
Why Can’t Theatres Be More Like Public Parks?
A U.K. director argues that theatres can reclaim the center of civic life only if they lower barriers to entry and embrace their communitarian role.
Hope Is a Trail of Breadcrumbs
A leading maker of plays for young people thinks of good storytelling as an alert, wakeful, but necessarily uncertain journey through the unknown.
Touch the Wound, But Don’t Live There
Why we need resilience services as much as we need fight choreography.
Where Art Matters: In Praise of the American Regional Theatre
An Irish director hails the ensemble ethic and sharp focus of U.S. resident theatres, which compare favorably to any he’s worked with around the world.
Lunch With 2 Conjurers: A Dream Meeting About Our Nightmares
When Mac Rogers and I met our playwriting hero, Wallace Shawn, we were honored—and confronted anew with his devastating plays.
How U.S. States Could Fund Repertory Resident Theatres
Though much talk has surrounded possible federal funding, let’s imagine a world based in repertory theatre and funding from the state level.
12 Days in May: A Hermitage Diary
My time at this storied Florida retreat was both relaxing and productive—and I was ready for the bugs this time.
