The Performance of Mourning
The theatre of the AIDS Memorial Quilt, a traveling graveyard that combines monumentality with patchwork and reimagines the connection between politics and the sacred.
The theatre of the AIDS Memorial Quilt, a traveling graveyard that combines monumentality with patchwork and reimagines the connection between politics and the sacred.
What a viewing of 3 different productions of Paula Vogel’s second-generation AIDS play reveals about its essence and possibilities.
Death came for everyone, or nearly so, in this year’s Humana Festival offerings.
Why ‘The Merchant of Venice’ and ‘The Taming of the Shrew’ should remain open to interpretation.
Common to all the writing of this quintessentially English playwright, under-exposed in the U.S., is a reluctance to take people, or situations, at face value.
The theatre is not a courtroom, a distinguished critic argues, and should have nobler ambitions than dispensing guilt and blame.
A generative politics, wedding activism by both citizens and the state, has as strong role for the nation’s nonprofit sector.
Great actors in the full sway of their passions are likely to be more persuasive conduits to the interior of plays than the arbitrary, decorative conceptions of postmodernist directors.
Reviews of London productions of ‘The Ride Down Mt. Morgan’ and ‘Murmuring Judges.’
Can you go ‘Homecoming’ again?