Murder Most Funny in ‘A Gentleman’s Guide to Love and Murder’
The new musical from Robert L. Freedman and Steven Lutvak tells its grisly tale with just the right measure of taste, tone, and intent—and a whole lot of Jefferson Mays.
The new musical from Robert L. Freedman and Steven Lutvak tells its grisly tale with just the right measure of taste, tone, and intent—and a whole lot of Jefferson Mays.
On resistance, hospitality and new writing for the American stage.
Pig Iron Theatre Company and Japan’s chelfitsch engage in a unique collaboration.
In ‘The Train Driver,’ South Africa’s master dramatist wrestles with the fate of a poor family and what it means to him.
At Austin’s Fusebox Festival, talking with strangers is de rigueur.
A spate of intense new productions shows how Eugene O’Neill’s theatrical vision deepened as his canvas tightened.
The human condition gets a workout at 2 festivals: Humana and Pacific Playwrights.
Stratford and Shaw are the twin peaks of Canadian classicism.
An offbeat new musical eavesdrops on la vie bohème, circa 1940.
A theatremaker who has found politics increasingly salient in his work speaks up for their place onstage.