Myths Mix in Plays by Parks, Shepard and Kneehigh
Playwrights superimpose ancient myths over contemporary concerns, in a theatrical alchemy that makes the old seem new again—and the new seem timeless.
Playwrights superimpose ancient myths over contemporary concerns, in a theatrical alchemy that makes the old seem new again—and the new seem timeless.
Twelve-hour Greek plays, white face, drag queens, gender parity…the contributors and editors of “American Theatre” reminisce on what they loved most in the theatre in 2014.
For the theatre fan in your life (or in your mirror), here are bios, books, cast albums, DVDs and other stocking-stuffer ideas.
The authors’ presence was elusive yet unmistakable, in two wildly different ways, in two pieces seen at the recent Philadelphia FringeArts fest.
A witness of the U.S. Civil Rights struggle happened to be on hand for the historic fall of the Berlin Wall, and the moment resonated.
How a troupe of L.A.-based improvisers reawakened one critic’s taste for the possibilities of live theatre.
When the nation’s most powerful newspaper chooses to review new plays in early productions outside New York, is that helping or hurting the field?
A new singing-and-signing version of the rock musical puts its themes—voiceless youth, generational misunderstanding—into even sharper focus.
Joseph Haj, producing artistic director of PlayMakers Repertory Theatre, talks about the challenges and benefits of co-directing.
A new staging of Madeleine L’Engle’s sci-fi classic is the newest entry in director Tracy Young’s genre-hopping, ensemble-focused career.