Water, Holy and Otherwise: Double Edge Dives In
The farm-based Massachusetts company draws upon the life of lead actor Carlos Uriona for ‘Once a Blue Moon.’
The farm-based Massachusetts company draws upon the life of lead actor Carlos Uriona for ‘Once a Blue Moon.’
The resonances between 2 gay-themed plays presented by Center Theatre Group show how far we’ve come, and at what cost.
Sometimes theatre journalists write insensitive things. We all have unconscious biases, after all—but we can do better.
One audience member trying to plug his phone into a Broadway set is not the end of civilization—nor should a ‘why not’ attitude be entirely unwelcome in the theatre.
Shaw, Bentley, Tynan—it’s not so odd for professional critics to work the other side of the footlights. But there are a few ground rules.
This year, Bitter Lemons’ annual critic’s panel wasn’t a discussion of the state of L.A. theatre criticism so much as a defense of the website’s controversial pay-for-review policy.
A response to Dana Dusbiber’s wrongheaded ‘Washington Post’ column arguing that dead, white Shakespeare shouldn’t be taught anymore.
At an April conference in Toronto, we came up with a plan for change that can take root and grow into a more equitable future for female theatre artists.
As she retires from leading the Hunter College MFA playwriting program, I’m grateful for what she taught me about plays—and about life.
Hounded from their home country but staying together via Skype, Minsk’s toughest troupe is back in New York with another harrowing but mesmerizing piece.