A Pause to Consider the Wooster/Pinter Kerfuffle
Why did the Pinter estate demand that press be kept from the Wooster Group’s L.A. staging of ‘The Room’?
Why did the Pinter estate demand that press be kept from the Wooster Group’s L.A. staging of ‘The Room’?
With Yako 440, Israel’s new show at the BRIC, accompanied by a retrospective exhibit, both mourns and celebrates his jazzbo dad, steven ben israel.
Rehearsal room squabbles aside, the questions raised by Tonya Pinkins as she departed CSC’s ‘Mother Courage’ deserve a closer look.
The writer shares her experience of spending 10 months in Blue Lake, Calif., at the Dell’Arte International School of Physical Theatre.
New stagings of ‘All My Sons,’ ‘A View From the Bridge,’ and ‘Incident at Vichy’ don’t just remind us of the playwright’s grand ambitions; they realize them.
How a seemingly normal night at the theatre led to an altercation with a patron over microaggressions and white privilege.
Lloyd Suh and Katori Hall offer the latest teaching moments in race-conscious casting.
While ‘On Your Feet!’ is conquering Broadway, the promising, musically vibrant ‘Cuba Libre’ bows in Portland.
Bricolage Production Company discovers that fostering inclusivity isn’t just about taking action—it’s also a state of mind.
The award-winning composer/lyricist turns his songs into a score for a breathtaking magic show on Princess Cruises.