I Am Miss Saigon, and I Hate It
It’s not just that the hit musical doesn’t tell my family’s story. It’s that it perpetuates a narrative in which the Vietnamese are victims, not fighters.
It’s not just that the hit musical doesn’t tell my family’s story. It’s that it perpetuates a narrative in which the Vietnamese are victims, not fighters.
Play reading festivals come and go, but there was something electric and urgent about this year, the fest’s 7th.
More than just a nice showcase for Josh Groban, ‘Dust and Ashes’ makes the non-linearity of mental illness dramatically compelling.
When the familiar seems strange and vice versa, writers who have grasped that dichotomy seem all the more necessary.
The Book-It Repertory Theatre adaptation of the Hemingway classic takes audiences on a Parisian tour.
Denver Center’s annual new-play festival, now in its 12th year, shows writers in dialogue with the moment.
Barbara Gaines’s Chicago Shakespeare Theater staged an ambitious yearlong program in 2016. I tried to match that ambition as an attendee, with mixed success.
It’s sobering that Luis Valdez’s stirring Chicano protest musical is freshly relevant, but there’s nothing somber about its vibrant new staging.
Why Silk Road Rising is embarking on a reading series about Israel-Palestine.
Engage with your patrons and donors through conversations, events, and news.