High Tide of Heartbreak
Has theatre wounded me as much as or more than it’s healed me?
Has theatre wounded me as much as or more than it’s healed me?
It’s time to answer some common questions about the union’s role and responsibility in the age of #MeToo.
Two new revivals—one ebulliently LGBTQ, another brooding and immersive—make this musical warhorse run in new directions.
Under a.d. Tim Carroll, Niagara-on-the-Lake’s company honors its namesake with new work, complementary programming, and even—zounds!—a Shakespeare.
This year’s Chicago gathering of Asian American and Asian Pacific Islander theatremakers overflowed with dialogue, camaraderie, and activism.
How my reporting on one man’s abuse got tangled up with my own grief.
How can we help equip Actors’ Equity to prevent and punish harassment in our theatrical workplace?
Key takeaways from the Latinx Theatre Commons’s new-play fest in Chicago, where the focus was both national and hyper-local.
Four theatre leaders give ‘vision statements’ in response to the question: How does the role of artistic director need to change in the 21st century?
As Actors’ Equity prepares to announce a new name for its beloved Broadway ceremony, here’s a look at why they made the change.