What’s in a Name? So Much More Than I Knew
I’m reclaiming my birth name in a new musical just as the U.S. elects its first Indian American VP. Coincidence? I don’t think so.
I’m reclaiming my birth name in a new musical just as the U.S. elects its first Indian American VP. Coincidence? I don’t think so.
As the trauma of George Floyd’s killing and the specter of COVID entered my home and my work, I was reminded what my country is—and still could be.
How to rebuild the theatre field post-COVID? Invest in artists and let them do their best work in rep, and audiences will follow.
One writer’s extraordinary efforts to prove extraordinary ability for an O-1 visa.
Lockdown is no blessing, but I am using it for good: to heal, to step off the grant-writing treadmill, and to say no to more abuse.
Diversifying programming and leadership won’t be enough if our boards remain white and privileged.
In this excerpt from his memoir ‘Lot Six,’ playwright David Adjmi recalls childhood touchstones and the shape and meaning they gave to his pain.
Is live entertainment really going to be the only industry that is not put on a path to safely reopen? We need and deserve better.
Men may feel threatened by strong women, but women know in their bodies who the real threat is.
Want to make disabled artists and audiences more than symbols or afterthoughts? Here’s the minimum you can do (and you really should do more than the minimum).