On Holy Ground: The National Black Theatre Festival
Back in August after a pandemic hiatus, the biennial gathering of Black theatremakers reclaimed its status as both a reunion and a showcase for new work.
Back in August after a pandemic hiatus, the biennial gathering of Black theatremakers reclaimed its status as both a reunion and a showcase for new work.
Roughly equal parts joy and rigor have characterized his 20-year tenure as artistic director of this influential new-play incubator.
A news story about a performance in a Ukrainian bomb shelter inspired the U.S. theatre company Irondale to fly a young troupe over, putting human faces on harrowing headlines.
Scholars and fans gathered in Boston last month to consider, and reconsider, the contemporary and global relevance of the great, tormented American dramatist.
Over 3 days in Philly, dramaturgs and others who use dramaturgy in their work met to share best practices and new definitions.
The director of a new HBO documentary about an overturned conviction in a Nebraska burgh staged a climactic episode in which a community theatre production manages to heal local divisions.
How the historic Los Angeles company has stabilized both its mission and its finances.
The Minnesota theatre is thriving in difficult times thanks to nimbleness, versatility, and time for reflection.
Serving a community of color without identifying as a theatre of color has led this 65-year-old theatre to build bridges, while struggling with fundraising.
The recent unveiling of Alison Saar’s sculpture ‘To Sit A While’ kicked off a national tour to raise awareness of this great American writer and the many who follow in the path she paved.