A Composer/Singer Collaboration That’s in the Show’s DNA
Madeline Myers has written the new musical ‘Double Helix’ with and for its lead performer, Samantha Massell, who plays a woman scientist unjustly neglected by history.
Madeline Myers has written the new musical ‘Double Helix’ with and for its lead performer, Samantha Massell, who plays a woman scientist unjustly neglected by history.
A new revival at La MaMa of the playwright’s opaque verbatim play from 1980 gives a fresh window into her unique formal and thematic ambitions.
This 4-month state-wide celebration of theatrical abundance is already strengthening bonds among artists and audiences, all while keeping the focus on new writing.
For Jennifer Chang’s world-premiere ‘The Devil Is a Lie,’ Quantum Theatre occupies a Pittsburgh landmark associated with one of its most notorious industrialists.
The new bookstore and café aims to fill a niche for theatre-loving readers, book-loving stage folks, and anyone else who’s been missing a sense of community.
Even on a smaller scale, this year’s Summit offered 4 playwrights the invaluable chance to write questions and stage the answers.
Lisa Loomer’s play about the historic decision arrives at 2 theatres in a state that’s once again on the front lines of the reproductive rights battle.
Detroit Public Theatre’s production of Heather Raffo’s thorny drama about Chaldean Iraqi immigrants showed what true regional theatre can—and should—do.
More than just an immersive show about the senses, the new David Byrne/Mala Gaonkar experience in Denver has been built for folks of all sensory abilities.
For 25 years, this hugely influential program welcomed directors from all over the world to compare work and share practices. Is it really over?