Bilingual in Boston: Theatre By and For Immigrants
3 theatre companies have energized South Asian, Chinese, and Latin American audiences by staging plays in their first languages.
3 theatre companies have energized South Asian, Chinese, and Latin American audiences by staging plays in their first languages.
As it closes in on 50 years in Chicago, the theatre Taylor built is preparing for its next chapter in a legacy of producing, mentoring, and paying it forward.
This month, we check in with companies who are making impacts within their communities and artists receiving well-deserved attention.
Now in its third year, the theatre’s youth program offers young artists a chance to create art at the intersection of performance and social change.
During a difficult time in Chicago theatre, we look at the current struggles of local theatres and the promise of theatre sustaining moving forward.
TCG’s recent virtual gathering convened theatres of color to offer stories of hope, share practices and critiques, and build collective understanding.
A spark that started in Chicago has caught fire around the country, as both staff and performers for Drunk Shakespeare join Actors’ Equity.
The first Equity house run by and for Black artists in Indianapolis, Naptown African American Theatre Collective has made ambitious plans and lined up the support to realize them.
Struggling to draw funding and audiences while aiming for the goal of livable wages, companies like 20-year-old BoHo Theatre are making an exit.
AT’s new Chicago editors check in on happenings at theatres large and small: openings, closings, notable folks, and assorted chisme.