Et in Arcadia, Go-Go’s: ‘Head Over Heels’ Upends Pasadena Playhouse
Jenny Koons and Sam Pinkleton’s immersive new staging returns the fanciful show to its original conception.
Jenny Koons and Sam Pinkleton’s immersive new staging returns the fanciful show to its original conception.
Dana Schwartz’s new play about online gamers, originally conceived pre-pandemic, has fresh resonance after a year of isolation and virtual connection.
As Anna Deavere Smith’s theatrical document of the 1992 L.A. uprising returns in a new form, it may feel so in touch with our moment because it helped to define it.
Staged within a D.C. neighborhood block party, Pan Underground’s production of Caridad Svich’s play is designed connect local community members.
Phantoms playing hide-and-seek, lighting with a mind of its own, floating shadows, and more fill our annual assortment of tales about haunted theatres.
A co-production among Woolly Mammoth, the Huntington, and Pasadena Playhouse gives new life to Mike Lew’s disability-themed spin on ‘Richard III.’
When the L.A. theatre announced a season light on women playwrights, a protest led to change and greater transparency.
Pandemic delays allowed the Chicago theatre to rethink their both production process and the meaning of the play, with strong input from their lead actor.
Part of the Goodman Theatre’s LIVE series, the new staging combines the best of theatre and live television for a unique theatrical outing.
Plays at the National, Almeida, and Donmar Warehouse offer surfeit, stillness, and savvy celebrity casting.