Lunch With 2 Conjurers: A Dream Meeting About Our Nightmares
When Mac Rogers and I met our playwriting hero, Wallace Shawn, we were honored—and confronted anew with his devastating plays.
When Mac Rogers and I met our playwriting hero, Wallace Shawn, we were honored—and confronted anew with his devastating plays.
The new movie musical can be experienced as a virtual beauty shop, where a multigenerational matriarchy keeps the faith and carries the stories.
The streaming service will bring Ghostlight Productions and Nicely Theatre Group’s inaugural Obsidian Festival to viewers at no cost.
Jeff Rosenberg and Laura Jacqmin’s new project answers the question: Why break up with theatre when you recreate some of its conditions on a film set?
Staging original works as audio dramas isn’t just a pandemic workaround; it’s also back-to-the-future turn to a resonant form.
How the pandemic-adjusted film resonated with, and deepened the meaning of, Sophocles’s iconic tragedy.
Beyond Zoom readings, companies are finding new forms and collaborators, and reaching audiences far beyond any they could serve in person.
Javaad Alipoor and Kirsty Housley’s new multi-screen theatre/film offering refracts the human race’s struggles through a pair of joy-riding Iranian teens.
Glynn Turman, Colman Domingo, and Michael Potts talk about the new film of August Wilson’s breakthrough play.
An excerpt from ‘For Black Trans Girls Who Gotta Cuss A Mother Fucker Out When Snatching An Edge Ain’t Enough: A Choreo Poem.’