Alex Edelman, a Good Boy With Boundaries
In his Broadway show about Jewishness, antisemitism, and whiteness, ‘Just for Us,’ the comic makes audiences ponder who the ‘us’ is.
In his Broadway show about Jewishness, antisemitism, and whiteness, ‘Just for Us,’ the comic makes audiences ponder who the ‘us’ is.
2 trans actors discuss what they’ve found in the role of ‘Twelfth Night’s sad clown, in productions at St. Louis Shakespeare Festival and the Old Globe.
The theatre’s current interim leaders will now form a partnership—an alliance, if you will—to jointly run Atlanta’s flagship theatre.
After 37 years at the helm of Chicago Shakespeare Theater, Gaines has found the right time to step away from the company she founded.
Travis Russ and Melissa Moschitto talk about the delicate, revealing work of recovering stories of queer, trans, and gender-nonconforming folks from the last century and before.
Emilio Sosa and J. Jared Janas compare notes on the costumes, hair, wigs, and makeup they crafted for a wide array of periods and teams this season.
Lear deBessonet, Maria Friedman, and Tommy Kail compare notes on staging ‘Into the Woods,’ ‘Sweeney Todd,’ and ‘Merrily We Roll Along.’
What would take a busy freelance director off the road? The chance to gather and serve communities—especially those who’ve been under-served.
Both with his Tectonic collaborators and on his own, the playwright-director has always explored the architecture of theatre and its potential social impact.
The company’s 5-decade journey from Off-Off-Broadway outlier to Broadway powerhouse has been steered all along by the same 2 leaders.