How Patti Hartigan Learned What She Learned About August Wilson
A reporter and critic who knew Wilson nearly from the start of his playwriting peak, she wrote the biography she wanted to see.
A reporter and critic who knew Wilson nearly from the start of his playwriting peak, she wrote the biography she wanted to see.
The Off-Off-Broadway artist-impresario reflects on 30-plus years of downtown experimentation.
The artistic director and managing director of Pittsburgh Public Theater make the case for programming that is uniquely fresh and local.
Co-lead theatre critics at New York magazine/Vulture, they make the case that 2 heads are better than 1, especially covering a field in flux.
The Pulitzer-winning author of ‘English’ and the Pulitzer finalists for ‘On Sugarland’ and ‘The Far Country’ gather to talk craft, language, expectation, and optimism.
Joining Writers Theatre after running Seattle Rep has reconnected him to his youthful love for making theatre, but he knows there’s still much work to be done.
The Huntington’s longtime managing director reflects on 4 decades, and 4 artistic directors, at Boston’s largest theatre.
As 1 of 3 leaders at the influential NY theatre, she spent the last 4 years helping it realize outsized ambitions, both onstage and on the balance sheet.
As he enters his last season leading Minneapolis’s Children’s Theatre Company, he reflects on the unique inspiration and value in making work for young people.
As IRT’s longest-serving artistic director, Allen has led the company with an eye on the future, and now it’s Hanna’s turn to serve Indiana’s unique Midwestern audience.