The Body in the Voice
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
Who was Shakespeare, anyhow? Do even the experts really know? And why should anybody care?
With so many academic programs cranking out new designers, what exactly are we training them for—and how?
A drag performer and playwright fiercely embodies his own speculations about beauty and imperfection.
Older, wiser and as prolific as ever, the much-honored playwright still chooses his words with immaculate care.
In a roundtable discussion, leaders in the field discuss how learning to keep theatre organizations robust and creative requires putting together disparate pieces.
The next stop on the director’s journey into the heart of America is the venerable OSF.
The Berkeley Rep artistic director has made playing well with others his specialty.
Experienced mentors share notes—and spark a spate of provocative questions.
An African spiritual strength born of adversity undergirds his masterful 10-play circle.