A.R. Gurney’s Last Play? For Pete’s Sake, Say It Ain’t So
The 85-year-old playwright is still on a path of discovery, with ‘Love and Money’ at Signature Theatre and a Broadway revival of ‘Sylvia.’
The 85-year-old playwright is still on a path of discovery, with ‘Love and Money’ at Signature Theatre and a Broadway revival of ‘Sylvia.’
The actor talks about his biographical Broadway show, Asian-American representation onstage, and cell phones in the theatre.
The creators of ‘Theater of War’ and ‘ReEntry’ compare notes on adapting and creating cathartic experiences for servicemembers and other hard-hit communities.
In Bruce Graham’s new play, Wendt plays an actor known for a single iconic role who’s trying to break the mold—unlike Wendt himself, who seems content with the comedic.
The experimental theatremaker takes her cues from the natural world, the subconscious, and feminist thought in her genre-defining works.
The seasoned New York lighting designer has been mentoring the young Mexican artist for a year. They met recently to talk about composition in time and space.
Lin-Manuel Miranda packed everything he knows about history, hip-hop, and musical theatre into his new hit show. No wonder ‘Hamilton’ is changing everything.
In her raunchy new solo show ‘Pound,’ the solo performer takes on filmic stereotypes—and tries to one-up crude male comics.
From obscure classics to populist musicals and thrillers, Hartford Stage artistic director Darko Tresnjak is in the midst of a killer career.
She may have moved beyond the big bring-the-curtain-down numbers, but the singer can still bring down the house. Next: ZACH Theatre’s Ellington revue.