Tina Landau, World Builder
The ‘SpongeBob’ director has built a career on experimentation, even within traditional forms. Her next assignment: a musical of ‘Dave.’
The ‘SpongeBob’ director has built a career on experimentation, even within traditional forms. Her next assignment: a musical of ‘Dave.’
The recently laid off editor of Time Out Chicago reflects on the scene he’s covered and the state of arts journalism.
After a decade, she concludes her ‘Seven Deadly Plays,’ and finally opens up about her time working at Miramax.
The outgoing artistic director of Actors Theatre of Louisville talks about new plays, directing vs. interpreting, and his impressive beard.
This season, America’s leading Asian-American playwright revisited his most famous play, ‘M. Butterfly,’ and wrote a new musical, ‘Soft Power.’
She is directing two productions back to back; here’s how she chooses her projects.
She brings an administrative brain to a small, hardy new-play company on the verge of an upgrade.
As a director, he’s interested in how people act on each other; he also has a visual instinct. Both came in handy for ‘Three Tall Women.’
The theatre’s new artistic director hopes to make it a home for new plays and a wide range of voices that reflect Los Angeles.
The 19th-century drama, now in trilogy form, has its premiere at Philly’s EgoPo Classic Theater.