Paula Vogel, Tina Landau, and the Room That Made ‘Mother Play’
A far-ranging conversation about their common approach to text as a springboard, why they’re past theory, and how they introduced Jessica Lange to Viewpoints.
A far-ranging conversation about their common approach to text as a springboard, why they’re past theory, and how they introduced Jessica Lange to Viewpoints.
As the Chicago playwright’s newest work hits the Raven Theatre stage, Allen revisits the gestation and meaning of his South Side-set Grand Boulevard Trilogy.
In her early days as the org’s producing artistic director, she discusses process and the state of new-play development in American theatre.
The director of ‘Days of Wine and Roses’ and ‘Hell’s Kitchen’ and co-director of ‘The Notebook’ talks about his busy Broadway season and his specialty in shows about mental health.
The playwright’s new play at Intar draws on his own youth for lessons about masculinity, assimilation, and language.
With a 7-show season at 2 of Center Theatre Group’s venues, the new artistic director is putting special focus on reviving the beloved, beleaguered Mark Taper Forum.
The founding artistic director of the influential New York City performance venue talks about the shows she’s loved, the changes she’s seen, and the road ahead.
The busy writer was brought on to preserve the essence of the iconic show, while pruning dated language (and adding fresh jokes).
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
The 3 writers in Second Stage’s Judith Champion Reading Series—Sarah Mantell, D.A. Mindell, and Kaela Mei-Shing Garvin—reflect on their plays and their process.