Madeline Sayet and Tara Moses: Returning Theatre to Its True Roots
At Seattle’s Red Eagle Soaring, Sayet and Moses will share artistic director duties, modeling and shaping a decolonized process to better serve Native youth.
At Seattle’s Red Eagle Soaring, Sayet and Moses will share artistic director duties, modeling and shaping a decolonized process to better serve Native youth.
An experienced producer and arts administrator, she’ll replace Buzz Ward, who’s retiring after 29 years in the post.
The playwright of ‘PrEP Play, or Blue Parachute’ talks about expectations, intimacy, and the Zoom revolution.
Martin promises a ‘clean slate’ at the Chicago theatre famed for its playwrights ensemble, after serving as associate producer at the Goodman.
Looking toward the future, Shelley hopes to create an inclusive atmosphere that cements the House Theatre of Chicago as a destination for artists to come and create.
Artistic leaders at the Playwright Realm writers’ service organization talk about how, when, and whether to send your work for consideration.
Artists’ Rep’s new managing director wants to break down the silos in her workplace and in her art form too.
From the ‘West Side Story’ tour to television to work with George C. Wolfe, this performer/choreographer has followed each next step where it led.
The pandemic has given the Chicago playwright a chance to step back and rethink his approach—and he hopes theatres are doing the same.
The New York Times’ newest critic at large thinks about culture both broadly and personally, and strives to deliver dialogue, not a verdict.