Connecting Russian Refugees Via Theatre—and a SpaceBridge
Through the stories of young Russian refugee children, theatremaker Irina Kruzhilina aims to promote compassion among mistrustful Americans, and create some friendships along the way.
Through the stories of young Russian refugee children, theatremaker Irina Kruzhilina aims to promote compassion among mistrustful Americans, and create some friendships along the way.
This last dispatch from the 2024 gathering checks in with some Americans who’ve felt both inspired and challenged by their Polish counterparts.
Theatre in Poland inevitably intersects with politics, and not only because it relies on state support.
This correspondent returned eagerly to a place where theatre still matters in a troubled world, even if it can’t quite make sense of it.
The Latino Theater Company’s border-defying Encuentro, the fourth of its kind, gathered hundreds of Latine artists for productions, partnerships, and dialogues in multiple languages.
In this month’s Offscript, we hear from three leaders who bring the world together through Shakespeare and new work. Plus, we learn about a new generative arts journalism fellowship.
A playwright travels to his parents’ home country and plants the seeds for a new play with Hero Theatre’s Nuestro Planeta project.
For decades as the leader of the Center for International Theatre Development, this tireless impresario brought theatre artists together and delighted in the sparks that flew.
A Swedish production about teen insomnia tests the boundaries of storytelling with virtual technology.
In Rio, Curitiba, and São Paulo, theatre spills into the streets as part of an ongoing effort to expand access and expression across Brazil’s socioeconomic and political divides.