Princess for a Play
As theatres across the country diversify their casting of Disney princesses in musicals, more girls get to see themselves onstage.
This column is designed to feature voices and issues that are underrepresented in the American theatre. Please send ideas and tips to American Theatre magazine at at@tcg.org.
As theatres across the country diversify their casting of Disney princesses in musicals, more girls get to see themselves onstage.
The creative team at TuYo Theatre on how and why they created ‘Pasale Pasale.’
The fifth iteration of Lincoln Center’s festival for neurodiverse families was shorter but broader, offering many pathways for engagement.
Led initially by playwrights Dominique Morisseau and Jeremy O. Harris, Black affinity nights are proliferating at theatres across the U.S.
In Lisa B. Thompson’s new play, ‘Black Feminist Guide to the Human Body,’ the playwright and professor seeks a softer life for Black women as they age.
Alumni, faculty, and students from historically Black colleges and universities weigh in on how their training prepared them to take centerstage.
When SpeakEasy Stage Company puts on plays featuring cross-cultural currents and racial conflicts, Kira Troilo’s consulting work proves crucial.
Kareem Fahmy launched a database to match diverse directors with theatres who were hiring, and while it has made a difference, there’s still a need for it.
A new study from SMU DataArts found the metrics of success for smaller, community-oriented theatres to be both similar and different from their larger peers.
How 2 arts organizations of color, Apollo Theater and Cultural Odyssey, have persevered despite funding disparities and other challenges.