The Body in the Voice
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
Senior editor Randy Gener voices his thoughts on the contents of the Jan. 2010 issue’s Approaches to Theatre Training special section.
The French designer Jean-Guy Lecat ponders the living intricacies of space, design and performance.
In the designer-centered laboratory of director Dmitry Krymov, young Russian students are taken on as active collaborators.
A chorus of voices celebrates the legacy of the annual stage design portfolio review at Lincoln Center.
The Lincoln Center bids adieu to a 19-year tradition.
‘Interactivity’ has become something of a theatrical buzzword as of late, but what does it actually mean?
Gail Scott White lays out a crash-course for students of new-media scenography.
The training of new-media projection designers will mean new aesthetics and new audiences.
With so many academic programs cranking out new designers, what exactly are we training them for—and how?