You Know, for Kids: ‘Adult’ Playwrights Try Their Hand at TYA
What happens when writers accustomed to grown-up audiences aim younger? The results can be rich and rewarding for all concerned—though there are pitfalls.
What happens when writers accustomed to grown-up audiences aim younger? The results can be rich and rewarding for all concerned—though there are pitfalls.
Teen councils aren’t just about building young audiences; they’ve grown into powerful leadership-building and advocacy tools.
American Theatre Wing’s program for new arrivals teaches things they didn’t learn in school.
How one dedicated director is keeping the theatre program alive and kicking at a struggling New York school.
As she retires from leading the Hunter College MFA playwriting program, I’m grateful for what she taught me about plays—and about life.
Eric Krebs and Christopher Scott’s new company will stage classics for New York teens, with high production values and multicultural casting.
Autism-related theatre for youth has its own spectrum, from work created for autistic kids to pieces devised with their input.
Art or social service? That’s a false choice for this small but committed L.A. theatre, where theatrical excellence and community service are inextricably intertwined.
Learning how to fail well is as crucial a part of a writer’s craft as putting words on a page. With other kinds of failure, you have less control.
Suzan-Lori Parks’s Civil War-era epic receives the $100,000 prize for a play inspired by American history.