AT Education Monthly: Fall Season, Community Engagement, and the Business of Acting
This month, Allison heads to the former home of artist Frederic Edwin Church and readers uplift their mentors.
This month, Allison heads to the former home of artist Frederic Edwin Church and readers uplift their mentors.
An afternoon at Carnegie Mellon’s School of Drama and life-changing educators highlight this month’s education newsletter.
Checking out “OtherWorlds” on Governors Island, and industry folks offer insight on essential non-arts courses for theatremakers.
Writers gather at Little Island, and industry folks offer advice on the ups and downs of the business.
Even with arts journalism jobs in decline, emerging theatre critics keep training and finding new outlets for their voices.
From conservatories to MFAs to youth ensembles, the best training to reflect human behavior onstage can take as many forms as life itself.
The diversification of theatre design starts—but doesn’t end—with training.
In our Winter issue, we look at training that doesn’t simply instruct young artists in the ways of the world but aims to empower them to change it.
High school theatre programs have often been sites of harm, particularly for femme and non-binary kids of color, but some are paving a better path forward.
First it was cancelled, then it wasn’t, then the students couldn’t talk about it. Now that the show actually went on, it’s worth asking: Were this school district’s precautions about safety or silencing?