15 After 20, Part 2: Actors Move Onto New Stages, Some of Them Theatrical
In the final installment of this follow-up with the Harvard acting class of 1995, former colleagues find meaning on and off the stage, together and apart.
In the final installment of this follow-up with the Harvard acting class of 1995, former colleagues find meaning on and off the stage, together and apart.
As young actors at Harvard, they formed a kind of de facto theatre company. Then they hit the pavement in New York. Here’s the story of their last 20 years.
Gentle but passionate, as handy with farce as with tragedy, the late director brought together the Bay Area’s disparate theatrical tribes like no one else.
Jeremy Gable’s ‘The 15th Line’ gathered attention as a Twitter play in 2010. Now Erin Mee is bringing it back.
What happens when writers accustomed to grown-up audiences aim younger? The results can be rich and rewarding for all concerned—though there are pitfalls.
Teen councils aren’t just about building young audiences; they’ve grown into powerful leadership-building and advocacy tools.
American Theatre Wing’s program for new arrivals teaches things they didn’t learn in school.
How one dedicated director is keeping the theatre program alive and kicking at a struggling New York school.
One week each year, a Nebraska campus becomes a hub for playwrights to rekindle camaraderie and dreams—oh, and present some fierce new work.
As she retires from leading the Hunter College MFA playwriting program, I’m grateful for what she taught me about plays—and about life.