Mark Rucker Made Room for Others, and There Was No Better Place to Be
Gentle but passionate, as handy with farce as with tragedy, the late director brought together the Bay Area’s disparate theatrical tribes like no one else.
Gentle but passionate, as handy with farce as with tragedy, the late director brought together the Bay Area’s disparate theatrical tribes like no one else.
Jeremy Gable’s ‘The 15th Line’ gathered attention as a Twitter play in 2010. Now Erin Mee is bringing it back.
What happens when writers accustomed to grown-up audiences aim younger? The results can be rich and rewarding for all concerned—though there are pitfalls.
Teen councils aren’t just about building young audiences; they’ve grown into powerful leadership-building and advocacy tools.
American Theatre Wing’s program for new arrivals teaches things they didn’t learn in school.
How one dedicated director is keeping the theatre program alive and kicking at a struggling New York school.
One week each year, a Nebraska campus becomes a hub for playwrights to rekindle camaraderie and dreams—oh, and present some fierce new work.
As she retires from leading the Hunter College MFA playwriting program, I’m grateful for what she taught me about plays—and about life.
Eric Krebs and Christopher Scott’s new company will stage classics for New York teens, with high production values and multicultural casting.
Autism-related theatre for youth has its own spectrum, from work created for autistic kids to pieces devised with their input.