The Taboo of Sadness: Why Are We Scared to Let Children Be Scared?
It’s not only possible to confront young audiences with the full range of human emotions—it’s imperative.
It’s not only possible to confront young audiences with the full range of human emotions—it’s imperative.
In 2014, the paper stopped reviewing theatre for young audiences, but local companies aren’t taking it lying down.
Columbia@Roundabout will provide training opportunities for the college’s MFA students.
How three plays about Lorraine Hansberry’s Younger family and their house resonate with each other—and with our current moment.
Cast in two one-acts by the legendary writer, a Juilliard Drama student reached out and found a very forthcoming correspondent.
Greenidge’s newest play, partly inspired by Black Lives Matter, is being produced on college campuses across the country.
Auditioning for undergraduate theatre programs can be stressful, but it’s all about finding the right fit.
Among the bounty of items in the Ransom Center’s exhibit about the Bard will be the assassin’s script for ‘Richard III.’
All stage performers must strike a balance between ‘head’ work and physical theatre, but the main trick may be not to see them as separate.
Carrie Coon, Crystal Dickinson, Maria Dizzia, Daniel Duque-Estrada, Stephen McKinley Henderson, and Jon Norman Schneider talk training, acting process, and the mind/body connection.