This Year’s Gender & Period Count: The Best Numbers Yet
The momentum behind gender parity in the American theatre seems unmistakable, with 30 percent of all plays and 40 percent of new ones written by women.
The momentum behind gender parity in the American theatre seems unmistakable, with 30 percent of all plays and 40 percent of new ones written by women.
We happily publish photos showcasing the work of theatre designers. Is it too much for them to ask for some acknowledgement?
To tell the story of theatrical lighting design, we need to get beyond adjectives and surfaces.
The New York Times’ new 25-best-plays list shows there are plenty of great plays to argue about. Where are the arguers?
We’ve heard the field’s concerns and are now working to determine the capacities we’d need to expand our coverage.
America’s self-definition as a nation of immigrants is under threat, as are immigrants themselves. How are U.S. stages and artists dramatizing this moment?
America may call itself a nation of immigrants, but our stories are still scarce on U.S. stages. Let’s change that.
Can American Theatre magazine take a new approach to covering abuse and injustice in the theatre?
Our nation’s Native history is all around us, if we would only pay attention. One place to look: at a rising generation of Native theatremakers.
What do we owe to this quarter-century-old American classic? More life.