New York City’s Two-Way Street
Not much makes it to the stage in our nation’s putative theatre capital that didn’t come from somewhere else.
Category Archives: Editor’s Note
Closing the Great Divide
The success of Black artists should be good for Black theatres, but too often there’s a disconnect.
Thinking Out of the Box
Arts and theatre programs won’t fix our nation’s incarceration problem, but they can do concrete and demonstrable good.
Learning It ‘Wrong’
When do we figure out how theatre works? Usually long before we realize it, though for most of us it doesn’t end there.
Manageable Expectations
What drives the folks who keep theatres running, and how do they learn their trade? Funny you should ask.
We Will Follow
From emerging talents to unsung veterans, our regular Role Call feature shines a light on folks you ought to know.
What’s Playing on Our National Stage
Our current political moment both evokes theatrical analogies and provokes theatrical responses.
Tools of the Trade
The key word here isn’t ‘best’ but ‘practices,’ emphasis on the plural.
Small Change Adds Up
The dark tide we’re facing may break, though perhaps not before it’s managed to break things.
Only Connect
The education and engagement programs at theatre companies remind us what this field is all about, and who it’s for.
