Editor’s Note for November 2012
This month features substantive dives into the art and business and process of making theatre.
This month features substantive dives into the art and business and process of making theatre.
Strong personalities and takes abound in the season ahead.
The TCG Conference in Boston was as memorable as any in my experience.
We mark the debut of a digital version with an issue ranging from Orange to Moscow, from O’Neill to stage designs.
Bullying, Canada, the next generation, Chekhov, and a hardbody.
This month the editors explore a vibrant, multilingual scene just across the border.
Activism animates this month’s pages.
Editor-in-chief Jim O’Quinn outlines the contents of this January’s annual special section on theatrical training.
Orwell everywhere, also season listings.
According to contributing editors Arthur Ballet, Marjorie Bradley Kellogg, Michael Feingold, Richard Gilman, and John Houseman.