Editor’s Note: Before the Fall
Our season preview and most-produced plays lists show a theatre scene still feeling the effects of contraction but continuing to show up for the work against steep odds.
Category Archives: Editor’s Note
Days of Future Passed
With this issue we look forward, glance back—and direct our concerns and hopes to the world outside the theatre doors.
Who It’s All For
With our Spring issue, we’ve turned our focus away from the stage to the house to consider the audience.
Passing the Torch (Without Getting Burned)
In our Winter issue, we look at training that doesn’t simply instruct young artists in the ways of the world but aims to empower them to change it.
Why We’re Back in Print
A hard-copy magazine about this ephemeral art form can mark its progress over time like no other medium.
American Theatre’s Return to Print
Why, after 3 years of screen time only, we’re coming back IRL.
White Light, White Heat: ‘Little Foxes’ and ‘Appropriate’ in Rep
South Coast Rep puts Lillian Hellman and Branden Jacobs-Jenkins’s plays about Southern inheritance into rotating, and possibly revealing, repertory.
Race, Mystery, RBG, Opera: I’ve Got a Little List
From a Conan Doyle-inspired inquiry to an Emmett Till trilogy, from a Baroque opera to an Alaskan Tlingit journey, here are some shows I’d put on my hypothetical theatre calendar.
‘All of Me’: A Rom-Com That Represents, and Not Just Onstage
A new play at Barrington Stage Company, about a class-riven romance among 2 wheelchair and text-to-speech users, also has plenty of disabled talent backstage.
‘Clyde’s’ Is Most-Produced Play, and Lynn Nottage Most-Produced Playwright, of 2022-23 Season
A mix of familiar and new titles, of challenge and comfort, characterizes this year’s lists, the first this magazine has done since 2019.
