Tummler Aches and Growing Pains
A pair of new books reveals how Joel Grey and the Yiddish theatre both drew on Jewish stage traditions of gravitas as well as schmaltz.
A pair of new books reveals how Joel Grey and the Yiddish theatre both drew on Jewish stage traditions of gravitas as well as schmaltz.
Volumes by Judith Malina and Daniel Sacks wrestle with revolutionary truths—one via poetry, the other through theory.
Four books make fresh cases not only for the German playwright’s relevance but for his virtuosity as well.
Elizabeth Osborne and Christine Woodworth compile an anthology on theatre labor and history that is ambitious yet scattered.
Michael Riedel and John Lahr both summarize decades of reporting on the business—and the art—of show.
They have little in common but their country of origin, but the former director of the National and the founder of Theatre Workshop are British leaders to be reckoned with.
Two new books look at companies that serve audiences outside the institutional theatre’s cocoon of privilege.
A collection of 85 essays offers a definitive sampler of views, analyses, and advice about this new, still occasionally mistrusted craft.
In his new book, former Kennedy Center impresario Michael Kaiser argues that the future of the arts lies with quality, subsidy, and daring—all of which are in dangerously short supply.
Two new books explore the content, and context, of the great composer/conductor’s divided musical character.