Ann Ronell: Count Her In
In an excerpt from the new book ‘Women Writing Musicals,’ we learn about the songwriter who became the first woman to write music and lyrics for a full Broadway score, in 1942.
In an excerpt from the new book ‘Women Writing Musicals,’ we learn about the songwriter who became the first woman to write music and lyrics for a full Broadway score, in 1942.
Two new books lift the voices of designers and production workers on their art and their labor.
2 new volumes by and about a pioneering Appalachian company celebrate decades of work, though they also deserve scrutiny.
2 new books show and tell the instructive story of Arena’s path-breaking co-founder, Zelda Fichandler—both the work she did and the work she left for us to continue.
In this excerpt from a new memoir about his years toiling Off-Off-Broadway, the author reflects on what it means to be young and bitten by the acting bug.
In 1968, one of the regional theatre’s founding mothers wrote an urgent memo to her board: It was long past time to integrate the company and diversify the audience.
A new book looks at the marriages of convenience—and backstage inconveniences—behind the filming of ‘Who’s Afraid of Virginia Woolf?’
Two new books consider the possibilities and limits of documentary theatre in a polarized nation.
Two books come not to bury the Bard but to bring his writing down to the common ground we share.
Priscilla Gilman’s memoir portrays her father, Richard Gilman, as a passionate, difficult figure who bequeathed her life lessons, many unwittingly.