Theatrical Mustang: Rodney Hicks, a.k.a. Baby Spike Lee
On this episode, Woodzick talks to theatremaker Rodney Hicks, who will direct ‘Passing Strange’ at Portland Playhouse this Spring.
Category Archives: Theatrical Mustang
Theatrical Mustang: Star Finch’s Place of Questions
This month Woodzick talks to the Bay Area playwright about political disillusionment, the liberation of basic income, and the sacred space of theatre.
Theatrical Mustang: Michael Urie’s Medieval Musical Era
This month Woodzick talks to mutli-hyphenate performer Michael Urie ahead of his return to Broadway in ‘Spamalot.’
Theatrical Mustang: S Franco Knows Who They Are
This month Woodzick talks to the Seattle-based director about creating a safe yet accountable rehearsal room, taking Shakespeare off a pedestal, and embracing body hair.
Theatrical Mustang: Danny Marin Creates Conversation
This month Woodzick talks to performer and producer Danny Marin about telling stories with nuance and advocating for a better industry.
Theatrical Mustang: Seayoung Yim Fights Fatphobia
This month Woodzick talks to writer and educator Seayoung Yim about self-love, care-filled casting, and America’s recent obsession with Korean culture.
Theatrical Mustang: Sav Souza’s Unbridled and Harnessed Creativity
This month Woodzick talks to the queer and trans performer about reviving ‘1776,’ developing a non-binary rom-com musical, and honoring their trans experience onstage.
Theatrical Mustang: Amber Scales on Activism and Acting
This month Woodzick talks to the Southern storyteller and social impact strategist about the clear parallels between making theatre and making a difference.
Theatrical Mustang: Will Wilhelm Lives Out Loud
This month Woodzick talks with Chicago theatremaker Will Wilhelm about taking up more space as a trans non-binary artist, centering gender-imaginative stories in the canon, and finding resilience through the work.
Theatrical Mustang: For Taylor Adams, All Theatre Is Drag
The Omaha-based director talks about theatre’s collective brain, doing queer art on Catholic campuses, and how to break through the gender binary in casting.
