The Subtext: C.A. Johnson’s Trapped Women
The writer of ‘Thirst’ and ‘All the Natalie Portmans’ talks about her Louisiana upbringing, starting out in fan fiction, and why she writes about cornered women.
Category Archives: The Subtext
From AMERICAN THEATRE magazine, a podcast where playwrights talk to playwrights about the things usually left unsaid. In a conversation that dives into life’s muck, we learn what irks, agitates, motivates, inspires and—ultimately—what makes writers tick.
This feed is for the Subtext from 2018 onward. For episodes of the Subtext from 2015 to 2017, visit https://thisstage.la/category/the-subtext.
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The Subtext: Clare Barron’s Secret Sauce
Brian James Polak talks to the playwright of ‘Dance Nation’ and ‘You Got Older’ about memory, pain, and first drafts.
The Subtext: From Prison to Performing With Lee Edward Colston II
The former prison guard-turned-actor discusses how he found his writing voice, and how your biggest advocates can come from the most unexpected places.
The Subtext: Adam Szymkowicz on Redefining Success
The playwright of ‘Hearts Like Fists’ has interviewed more than 1,000 playwrights on his website. Now it’s his turn to be interviewed.
The Subtext: Monet Hurst-Mendoza on Day Jobs
The NYC-based playwright talks about the time she juggled 5 day jobs, and how ‘Law & Order’ helped her quit them.
The Subtext: Writing Comic Book Plays With Crystal Skillman
The author of ‘Open’ and ‘Mary and Max’ talks about how comic books influence her plays (and her marriage).
The Subtext: Roger Q Mason on Coming Out as Genderqueer
The playwright talks about being forbidden from performing growing up and learning how to be his authentic self.
The Subtext: Networking with Will Snider, Anna Moench, and Steve Yockey
The three playwrights discuss the importance of building and maintaining relationships in this industry.
The Subtext: Audrey Cefaly and Lisa Langford on Overcoming Rejection
Catching up with two playwrights at the National New Play Network showcase.
The Subtext: Chisa Hutchinson Is Not a Fan of Colorblind Casting
The playwright of ‘Somebody’s Daughter’ and ‘Surely Goodness and Mercy’ talks about how private school almost broke her and how August Wilson shaped her thinking.
