The Subtext: Lynn Nottage, Learning From Every Job
This month Brian talks to the prolific and decorated playwright about her early struggles and triumphs, and that time she got stuck in the Lincoln Center bathroom.
From AMERICAN THEATRE magazine, a podcast where playwrights talk to playwrights about the things usually left unsaid. In a conversation that dives into life’s muck, we learn what irks, agitates, motivates, inspires and—ultimately—what makes writers tick.
This feed is for the Subtext from 2018 onward. For episodes of the Subtext from 2015 to 2017, visit https://thisstage.la/category/the-subtext.
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This month Brian talks to the prolific and decorated playwright about her early struggles and triumphs, and that time she got stuck in the Lincoln Center bathroom.
This month Brian talks to the producing artistic director of Playwrights’ Center in Minneapolis about supporting writers, following a unicorn, and teaching doctors to write.
For this special reported episode, Brian goes deep on the actor-writer and her very personal new play, ‘Tomorrow Will Be Sunday.’
This month the author of ‘August: Osage County’ and ‘The Minutes’ talks about acting, writing, the mystique of Chicago, and the heartbreak of Oklahoma.
In this special episode, recorded live in Madison, Wisc., Brian interviews the poet/playwright who wrote ‘The Mytilenean Debate’ for Forward Theater.
For this special episode in response to Russia’s invasion of Ukraine, Brian compiles messages from theatre artists in the U.S., the U.K., Lithuania, Poland, and Ukraine.
Brian talks to the playwright, whose new play ‘King James’ is playing at Steppenwolf, about war, sports, and writing what you want.
Brian talks to the Queens-based playwright about her New England roots and her approach to balancing work and mental health.
This month Brian talks to the creator of Jomama Jones about the books and music that saved him as a child, and how they led to the books and music he’s making now.
For the final episode of 2021, Brian talks to the writer of ‘Suicide Forest’ about roles that are different than, and closer to, their true self.