The Subtext: Jonathan Payne and the Sea of Stories
This month Brian speaks with playwright about striving to write one play a year and drawing inspiration from various roles and identities.
From AMERICAN THEATRE magazine, a podcast where playwrights talk to playwrights about the things usually left unsaid. In a conversation that dives into life’s muck, we learn what irks, agitates, motivates, inspires and—ultimately—what makes writers tick.
This feed is for the Subtext from 2018 onward. For episodes of the Subtext from 2015 to 2017, visit https://thisstage.la/category/the-subtext.
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This month Brian speaks with playwright about striving to write one play a year and drawing inspiration from various roles and identities.
This month Brian speaks with the Playwrights’ Center core writer and co-artistic director of Minneapolis’s Red Eye about chance encounters and her relationship to future thinking.
This month Brian talks to the acclaimed actor about the ups and downs of her career, why and how she wrote her first play, and whether she feels she can claim the title ‘playwright.’
This month Brian talks to the writer of ‘Alma’ and ‘In His Hands’ about narration, inspiration, family ties, and Julio Cortázar.
This month Brian talks to the busy playwright and TV writer about sketch comedy, grad school, and the audition that changed her path.
This month Brian speaks with the busy playwright about dramatizing Idaho, promoting the film of ‘The Whale,’ and working on a new play at Steppenwolf.
This month Brian talks to the writer and producer about pivoting from teaching, feeling stuck in development hell, and championing local storytellers.
This month Brian talks to playwright Mashuq Mushtaq Deen about building a writing career, pushing audiences out of their comfort zone, and finding his place in the theatre.
This month Brian talks to the Mexican American playwright about his educational path, his early years in New York, and his process for writing poetic plays.
This month Brian talks to the Minnesota playwright about her Hmong American roots, having cancer in graduate school, and learning to live in the moment.