The Subtext: Alexandra Petri Writes Funny
The D.C. columnist and playwright talks about how writing is like making cotton candy, how ‘MILF Manor’ is like Greek drama, and how an editor can help you find the parade.
American Theatre‘s podcasts feature timely and timeless conversations and interviews in and about the theatre field.
A podcast where playwrights talk to playwrights about the things usually left unsaid: what irks, agitates, motivates, inspires, and makes writers tick. Brian James Polak hosts. Guests have included David Adjmi, Antoinette Nwandu, Jen Silverman, Will Arbery, Korde Arrington Tuttle, Clare Barron, Chisa Hutchinson, Rebecca Gilman, Isaac Gomez, Ike Holter, and many more.
This independently produced podcast from actor-writer-activist Woodzick brings listeners interviews with unbridled talent and cultural trailblazers from across the country, including Sara Porkalob, Jill Sobule, jaamil olawale kosoko, John Jarboe, Mykai Eastman, and more.
This occasional podcast features the editors of American Theatre in conversation with each other and with special guests.
A monthly (or sometimes more) podcast from New York about theatre in America, featuring drama critics Peter Marks, Terry Teachout, and Elisabeth Vincentelli. Guests have included Tracy Letts, Conor McPherson, Lila Neugebauer, Samira Wiley, Kate Hamill, Sam Hunter, Soraya Nadia McDonald, Helen Shaw, Diep Tran, Lily Janiak, Tamilla Woodard, and more.
This podcast from Diep Tran and Jose Solís (discontinued in June 2020; new independent site here) brought a person-of-color perspective to reviews of and interviews with theatre artists in New York City.
The D.C. columnist and playwright talks about how writing is like making cotton candy, how ‘MILF Manor’ is like Greek drama, and how an editor can help you find the parade.
The Omaha-based director talks about theatre’s collective brain, doing queer art on Catholic campuses, and how to break through the gender binary in casting.
This month Brian talks to the ‘Fat Ham’ playwright about the art-loving family he came from and the communities he’s found in theatre and in Philly.
The playwright of ‘Montag’ and ‘THUNDERBODIES’ talks about insisting on sustainability, identifying as a writer, and the art of listening.
This month Woodzick talks with the writer of ‘Amani’ about Black futures, expansive visions of gender, and how an archivist can be an activist.
This month Woodzick talks to Denver-based director and playwright Mykai Eastman about EDI work, directorial philosophy, and audience engagement.
This month Brian talks to playwright and screenwriter Eric Reyes Loo about his educational and familial journeys, and the elusive definition of success.
This month Woodzick talks to the leader of Boulder’s square product theatre, who also teaches theatre at Hamilton College, about making and training theatre without perpetuating damage.
This month Brian talks to Vichet Chum, writer of ‘Bald Sisters’ at Steppenwolf, about how Texas’s competitive culture shaped him and about how his Cambodian American parents feel about his work.
This month Woodzick talks with the singer-songwriter-dancer about his new show and album ‘English With an Accent,’ an allegory about immigration and transformation.