The Subtext: Catherine Trieschmann
This month, playwright Brian James Polak travels to Milwaukee, Wisc., to interview Catherine Trieschmann, the writer of ‘How the World Began’ and ‘One House Over.’
Offscript is the official podcast of American Theatre, containing conversations with critics, playwrights and the editors of AT.
Released every other week, Offscript is a free-ranging discussion about the lively arts. Subscribe to Offscript via RSS, iTunes, Google Play, Stitcher, or TuneIn.
Below is every episode of the Offscript podcast, plus show notes and links to the things that were discussed in each episode.
This month, playwright Brian James Polak travels to Milwaukee, Wisc., to interview Catherine Trieschmann, the writer of ‘How the World Began’ and ‘One House Over.’
In this podcast episode, an interview with the playwright of ‘We’re Gonna Be Okay’ and ‘Orange Julius.’
On the first episode of American Theatre’s newest podcast: Playwright Brian James Polak interviews Paula Vogel Playwriting Award winner Antoinette Nwandu.
Introducing a new podcast to American Theatre’s network: the Subtext, where playwright Brian James Polak interviews playwrights about what makes them tick.
In this podcast episode, recorded live at the Robert Moss Theater, directors Anne Kauffman, Rachel Chavkin, Anne Bogart, and Liesl Tommy discusses the hows and whys of directing.
On this week’s episode: the editors of American Theatre discuss the best of 2017 onstage and on the page; plus an interview with Rachel Dart about sexual harassment.
This week’s guest is Peter Brosius, artistic director of Children’s Theatre Company, plus the editors discuss theatre in the age of Trump.
On this week’s podcast, the Connecticut critic joins the editors to dish about his Q&A with Yale’s James Bundy and the upcoming season.
On this week’s podcast, the panelists talk about where they’re coming from as critics and podcasters, then discuss Trump and theatre. Plus, picks for the first half of the new season
This week’s guests are Lauren Gunderson, the season’s most-produced playwright, and Ken Cerniglia, dramaturg of Disney Theatrical Group, the force behind this year’s most-produced play.