Category Archives: Approaches to Theatre Training

A Farewell to Clams

Approaches to Theatre Training: All Eyes on Design, Education, Features, January 2009 January 1, 2009 Christopher Barreca, Dawn Chiang, George Tsypin, John Conklin, Nic Ularu Leave a comment

A chorus of voices celebrates the legacy of the annual stage design portfolio review at Lincoln Center.

Last Call at Ming’s (and Betsy’s) Clambake

Approaches to Theatre Training: All Eyes on Design, Education, Features, January 2009 January 1, 2009 Randy Gener Leave a comment

The Lincoln Center bids adieu to a 19-year tradition.

Interactivity: As If by Magic

Approaches to Theatre Training: All Eyes on Design, Education, January 2009 January 1, 2009 Kirby Malone Leave a comment

‘Interactivity’ has become something of a theatrical buzzword as of late, but what does it actually mean?

What Is New-Media Theatre?

Approaches to Theatre Training: All Eyes on Design, Education, Features, January 2009 January 1, 2009 Gail Scott White Leave a comment

Gail Scott White lays out a crash-course for students of new-media scenography.

The Case for Live Movies

Approaches to Theatre Training: All Eyes on Design, Education, Features, January 2009 January 1, 2009 Gail Scott White, Kirby Malone Leave a comment

The training of new-media projection designers will mean new aesthetics and new audiences.

The Design Dilemma

Approaches to Theatre Training: All Eyes on Design, Education, Interviews, January 2009 January 1, 2009 Richard Isackes Leave a comment

With so many academic programs cranking out new designers, what exactly are we training them for—and how?

Approaches to Theatre Training: Ready, Set, Act

Approaches to Theatre Training꞉ Ready, Set, Act, Editor's Note, Education, January 2008 January 1, 2008 Jim O’Quinn Leave a comment

Editor-in-chief Jim O’Quinn outlines the contents of this January’s annual special section on theatrical training.

Madness in the Methods?

Approaches to Theatre Training꞉ Ready, Set, Act, Education, Features, January 2008 January 1, 2008 Eliza Bent Leave a comment

Companies in New York and Texas take on a plethora of techniques in workshop productions about actor training.

For Working Actors, Readiness Is All

Approaches to Theatre Training꞉ Ready, Set, Act, Education, Features, January 2008, People January 1, 2008 Charlie Hensley Leave a comment

Actors in search of their distinctive voices create a new brew from ingredients they’ve gathered over time.

Shaping the Independent Actor

Approaches to Theatre Training꞉ Ready, Set, Act, Education, January 2008, People January 1, 2008 Ellen Orenstein Leave a comment

Eight master acting teachers investigate the crucial balance between classroom rigor and personal discovery.

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