In the Beginning Was the Body
From Lecoq and Laban to Michael Chekhov and Suzuki, U.S. movement training derives its strength and purpose from abroad.
Approaches to Theatre Training꞉ The Articulate Body
In Search of Stillness
Capturing the purity and energy of not moving is the roof of the invisible body.
Moved to Silence
A good mime, asserted the late Marcel Marceau, trains to be an athlete of the heart.
Actors on the Move
Ten performers analyze the training regimens that animate them on stage.
Let’s Get Physical: What’s Happening Now?
U.S. movement teachers prefer either a hybrid or an integration of disciplines in the service of training the actor’s body.
