The Courage to Produce: A Conversation on High School Censorship
A dialogue on how students, teachers, and parents can push back against a wave of conservative legislation and intimidation that threatens to chill theatrical expression.
A dialogue on how students, teachers, and parents can push back against a wave of conservative legislation and intimidation that threatens to chill theatrical expression.
Even with arts journalism jobs in decline, emerging theatre critics keep training and finding new outlets for their voices.
From conservatories to MFAs to youth ensembles, the best training to reflect human behavior onstage can take as many forms as life itself.
The diversification of theatre design starts—but doesn’t end—with training.
In our Winter issue, we look at training that doesn’t simply instruct young artists in the ways of the world but aims to empower them to change it.
High school theatre programs have often been sites of harm, particularly for femme and non-binary kids of color, but some are paving a better path forward.
Alumni, faculty, and students from historically Black colleges and universities weigh in on how their training prepared them to take centerstage.
Students and faculty reflect on returning to in-person education in acting, playwriting, tech, and more at some of the nation’s college theatre programs.
As theatres begin to emerge from pandemic restrictions, many are recommitting to programs designed to engage their youngest stakeholders.
The case against the ‘standard’ dialect, and for more inclusive and practical speech training, is an important part of the larger struggle against elitism, classism, and white supremacy in the theatre.