Molly Brennan, Chicago’s Queen of Mischief and Make-Believe
She’s tackled nearly every kind of role at every kind of theatre, and this purple-haired local treasure shows few signs of skipping town or slowing down.
She’s tackled nearly every kind of role at every kind of theatre, and this purple-haired local treasure shows few signs of skipping town or slowing down.
The TV star and sometime cabaret and theatre performer places his bets on the musical ‘Honeymoon in Vegas.’
Mike Berkson has cerebral palsy, Tim Wambach has been his personal aide for years—and the two have got some funny stories to share.
In ‘Steal Heaven’ at San Diego REP, Herbert Siguenza imagines what ’60s icon Abbie Hoffman would think of our iPhone-and-drone age.
After a number of years and as many setbacks, a new musical of Barry Levinson’s buddy film hits the stage, with tunes by Sheryl Crow.
The Hypocrites’ plucky, stripped-down takes on the G&S canon have become something of a sensation, and now they’re running them in a three-ring rep.
Honored with the Steinberg Distinguished Playwright Award this week, the New York-based writer talks about his inspirations, his process and his memorable titles.
Morisseau’s “Skeleton Crew” took the Sky Cooper New American Play Prize, and Martyna Majok won the David Calicchio Emerging American Playwright Prize for “Ironbound.”
Expanding its mission beyond developing playwrights, the O’Neill will accept applications in January for its first National Directors Fellowship.
The late British author revolutionized children’s literature with his twisted tales, and they’re flourishing anew onstage. What is it about Dahl’s world that seems to suit our own?