Eugene O’Neill Theater Center Builds A Bridge Between Critics And Artists
AT’s own Suzy Evans went to the Eugene O’Neill Theater Center to discuss the role of critics in theatre and how they view their relationship with artists.
AT’s own Suzy Evans went to the Eugene O’Neill Theater Center to discuss the role of critics in theatre and how they view their relationship with artists.
Jordan Harrison’s “Marjorie Prime,” about artificial intelligence among other things, runs at Center Theatre Group’s Mark Taper Forum in Los Angeles.
At the biennial theatre fest in Colombia’s capital, young artists gather and present their work in houses and backyards as well as cabarets and traditional stages.
Roundabout Theatre Company’s 1998 revival of “Cabaret,” directed by Sam Mendes and Rob Marshall, helped transform the Stephen Sondheim Theatre and Studio 54 from notorious dance clubs into legitimate Broadway theatres.
In its New York premiere, a play about publishing and intimacy in the Internet age, starring Billy Magnussen and Anna Gunn, gets an upgrade.
The internet is spreading musical theatre like Benj Pasek and Justin Paul’s “Edges” to a wider audience, and allowing small productions to become big hits.
American Theatre sat down with the “Ugly Better” star to talk about his new role in Jonathan Tolins’s one-man show, “Buyer & Cellar,” which is now touring around the country.
Composer Tesori takes a trip down memory lane with ‘Violet.’
Actor/writer/composer Nick Blaemire’s pop musical “A Little More Alive,” directed by Sheryl Kaller, runs at Kansas City Repertory Theatre
Director Aaron Posner teams up with Teller to include magic in their production of “The Tempest” at the American Repertory Theater.