Bringing It All Back Home
How veterans who leave the theatre of war are finding expression in another kind of theatre.
Stories by Sarah Hart
The Play Incubators: No Production, No Problem
Can a play get made without a production? At a few indispensable development hubs, that’s the only way.
The Sundance Caravan: Theatre Lab Sets Up Shop in Morocco
The arts incubator moves its main event to Morocco this year, aiming to create an Arabic/American playwright exchange.
The Great Work Begins: Southern Theatres Respond to Anti-LGBTQ Laws
Theatres in North Carolina and Mississippi look to cooperation, not boycotts, as an effective means of protest.
Forget That Print Ad, Tease Them With a Video
Before the show opened, the team of ‘Vanya and Sonia and Masha and Spike’ at the Goodman had to market it in 15 seconds. Here’s how they did it.
Theatre Facts 2012 Finds U.S. Theatres Expecting the Unexpected
TCG’s industry report shows that, with the worst of the recession behind them, U.S. theatre leaders must plan for an unpredictable future.
Get Smart, Hold Tight
Theatres are deftly negotiating the bumps and curves of an economy in flux. Theatre Facts 2011 tracks their progress.
Plot? Mostly Not. No problem.
Humana’s varied menu is bolstered by new-play investigations.
Lena Carstens: How to Stay Crazy
A profile of the managing director of the Atlanta–based Dad’s Garage theatre.
Tangled Up in Blue
Political trepidation translates to unfocused theatre at Humana Festival.
