TDF’s Deeksha Gaur: If You Build the Audience, They Will Come
After a career focused on breaking down barriers to access, Gaur is at the helm of an organization uniquely positioned to move that work forward.
After a career focused on breaking down barriers to access, Gaur is at the helm of an organization uniquely positioned to move that work forward.
Looking back on his 21 years as the lead theatre critic in the nation’s capital, he says he most cherishes the light he was able to shine on shows, artists, and companies.
This year, crisis and closure vied with reports of milestones, breakthroughs, and plans for the future.
This L.A.-focused roundup includes a writer-director, a patron services manager, a scenic painter, an actor who’s also a marketing director, and more.
A hard-copy magazine about this ephemeral art form can mark its progress over time like no other medium.
Dramas and comedies with a political edge top this year’s list (*actually 12 due to ties).
Lynn Nottage again tops the list, followed closely by a mix of dramatists, librettists, and adapters.
Director/writer Jessica Kubzansky celebrates the 20th anniversary of Boston Court Pasadena by immersing audiences in a fraught rehearsal process across the entire site.
At La MaMa last spring, the two directors gathered to talk about actors, audiences, censorship, dislocation, and the haven of the rehearsal room.
The former executive director of Arkansas’s TheatreSquared has just taken the same job at Princeton’s McCarter Theatre Center, and he’s ready to open the gates.