6 Takeaways From the ‘Mikado’ Yellowface-Off
The fight over minority representation onstage is about broadening, not narrowing, opportunity and artistry.
The fight over minority representation onstage is about broadening, not narrowing, opportunity and artistry.
Oregon Shakespeare Fest’s new translation project pits purity against clarity, 400 years of reverence against a few hours’ traffic of the stage.
An issue of a magazine, like a theatrical season, is a menu of options reflecting our tastes, affinities, and priorities.
The creators of ‘Theater of War’ and ‘ReEntry’ compare notes on adapting and creating cathartic experiences for servicemembers and other hard-hit communities.
Year after year, our national season preview survey shows a 4-to-1 ratio of male to female playwrights. What can we do about it?
The theatre’s idealistic leader isn’t resting on its considerable laurels but pushing it to be more, and do more, all the time.
Justin Tanner’s great 1990s comedies taught me about the beautiful impermanence of theatre. But artists keep creating, and plays can be revived. Maybe you can go home again.
The city-bred playwright has gotten to know another America in rural Oregon, where both liberal and conservative communities are failing their young people.
In Bruce Graham’s new play, Wendt plays an actor known for a single iconic role who’s trying to break the mold—unlike Wendt himself, who seems content with the comedic.
As our website nears its first birthday, it’s clear we’re reaching more of you—and vice versa.