Henrik & Heidi & Anton & Amy
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
In Know Theatre’s new show, Cloud Cult’s 2010 concept album becomes an interstellar family drama set somewhere between Ohio and Proxima Centauri.
The playwright of ‘Oslo’ and the new ‘Corruption’ likes to wrestle in public with the things that trouble him and our politics.
In our Winter issue, we look at training that doesn’t simply instruct young artists in the ways of the world but aims to empower them to change it.
Riding a fresh wave of interest with a new generation, Jack Skelley’s 40-year-old punk rock novel about American decline has been adapted by Siena Foster-Soltis into a play.
In staging his 2020 memoir about his transmasculine journey, P. Carl is incorporating new lessons and context, and doubling down on the love story.
A daughter’s grief memoir on a Wisconsin farm, an Ireland-set comedy with roles for a large Santa Cruz ensemble, and a mall drama set in Portland.
After a career focused on breaking down barriers to access, Gaur is at the helm of an organization uniquely positioned to move that work forward.
Looking back on his 21 years as the lead theatre critic in the nation’s capital, he says he most cherishes the light he was able to shine on shows, artists, and companies.
This year, crisis and closure vied with reports of milestones, breakthroughs, and plans for the future.